In November of 1913, a ship called the Johnson made a gruesome discovery. While traveling past a cove off the coast of Chile, they spotted a derelict ship which appeared to be in good condition and the captain decided to investigate. Upon approaching the vessel, it quickly became apparent that the ship was in bad shape- a green moss was growing on the sails and masts, and the wood was rotting away. Most disturbing of all, the only people aboard were long dead- the captain, now little more than a skeleton, was found still clutching the helm’s wheel! A few of the crew were also reduced to bones above deck, and though investigation proved difficult due to the unstable nature of the boat, the Johnson crew found more skeletons in the mess area. They also determined that the shipment of lumber was still intact, and they discovered the name of the vessel- Marlborough of Glasgow.
Upon landing in Lyttelton, New Zealand, the captain of the Johnson reported the discovery to learn that the Marlborough had left their port in 1890- 23 years earlier- with a crew of 23 men- never to be heard from again. The captain, named Hird, was bound for Glasgow and had last been seen in the Straits of Magellan. How had the men died? And when? Had they all died at once, leaving a literal skeleton crew to sail about for over two decades before coming to rest in the place they had been discovered? How had the ship not been dashed upon rocks or sunk during a storm in all those years?
These are the bones, as it were, of the Marlborough Mystery story. This version of events appears in FATE Magazine, written up by Vincent H. Gaddis in the March, 1951 issue. It would later be included in Frank Edwards’ Strangest of All (1956), Brad Steiger’s The Unknown (1966), and in Into the Strange by Warren Smith in 1968. (Many thanks to Dr. Jerrold Coe, whose wonderful blog is well worth perusal, for pointing me to these sources.) As with any mystery, and with many of the timeworn tales of Forteana or seafaring superstitions and legends, there are minor variations on the details. The major implications remain consistent, and the questions brought about by them are terrifying and mind-bending. If we are to entertain the mystery, taking the basic story for granted, we can imagine all sorts of fanciful explanations. Perhaps there was a time slip of some kind, or perhaps the dead sailors were cursed to be corporeal revenants, manning a vessel even as the flesh fell from their frames. No doubt some would speculate that aliens were involved, or point to some strange conspiracy related to Atlantis. Just as the fog rolls in over the sea, the questions overwhelm the mind. The imagined monsters hiding in the fog become grandiose, and without the visibility of the stars to guide a course we are stuck in place- not unlike the Marlborough.
The repetition of the number 23 is significant, particularly since it applies here to a lost boat. 23 seems to appear often in strange tales, and is hailed by Discordians as being particularly important. Robert Anton Wilson popularized the 23 Enigma in the 1970s, and credits its discovery to William S Burroughs in a 1977 issue of Fortean Times. Burroughs, he claimed, knew a man called Captain Clark who boasted about having 23 years of experience at sea without an accident. Upon setting sail, his ship crashed and killed everyone on board- a cruel twist of fate. While thinking about this later, he heard about the crash of an airliner- Flight 23- off the coast of Florida. The pilot was named Captain Clark.
The 23 Enigma, then, might be seen as an ominous one, though that is not always the case. 23 seems to be a number of mystery, of fate, and the interconnecting nature of things. Wilson would go on to include the Enigma in his works, notably as part of his journey into the Chapel Perilous in Cosmic Trigger: The Final Secret of the Illuminati. The 23rd letter of the Greek alphabet is Psi, which has applications in fields as nebulous as quantum mechanics, psychology, and of course in parapsychology, where “Psi” effects relate to all manner of ESP, psychokinesis, and other wild talents.
Noticing the frequency of the number in relation to Odd Things is a wonderful example of synchronicity at play in the world, so long as you employ the “Maybe Logic” of RAW and interrogate your own Belief System (BS). Otherwise, madness is a danger, like Jim Carrey in the 2007 movie The Number 23 experiences. The mysteries of 23 are perhaps best left as an indicator, something to be noted peripherally- as synchronicity largely should be. These events and symbols often act as signs, directing you on a path, but are not themselves the path forward. One can easily lose sight of the forest for the synchronici-trees.
The author’s own house marker |
Having established the anomalous significance of the 23 years the Marlborough apparently drifted with only skeletons to pilot it, we can now pierce through the fog of the unknown and perhaps satisfy some of these concerns. Looking at newspaper articles from 1913, further discrepancies in the narrative appear. Two examples follow, from the New Smyrna Daily News (December 5, 1913) and The Star Tribune (December 14, 1913) respectively:
These two articles present very different versions of events, despite being published within ten days of each other and both allegedly derived from news “cabled in from New Zealand”. These discrepancies also conflict with the later FATE Magazine article, most disappointing among them the number of crew members. Both earlier sources say the ship had left port with 33 crew members, not 23- and that 20-30 skeletons were found onboard. One of the two also notes that 3 passengers had been aboard the ship when it left port. The biggest difference between the two news sources cited above is that while The New Smyrna Daily News version presents it as one among thousands of mysteries of seafaring, The Star Tribune heavily implies that the crew were massacred and the cargo was looted by “the wild tribes of Patagonia”. This is inconsistent with other accounts in their description of Puntas Arenas, where the ship is alleged to have been found. It was conjectured that the ship would have drifted into the cove after the death of the crew precisely because it was a heavily trafficked area, and could not have gone undetected for the 23 years it was missing had it crashed there. Also, the area is described as one which was populated and visited by merchants- hardly fitting the racist depiction of “wild tribes” looting ships for cargo. The cargo in question is another great discrepancy between these early accounts and the later Fortean retellings- it wasn’t lumber that the Marlborough carried, but rather mutton and wool!
It might be helpful at this juncture to pause and consider again the number 23, our ship having entered a realm between light and shadow, between science and superstition. We could do worse than using The Twilight Zone as a way of contextualizing this story! Rod Serling’s groundbreaking TV series had many episodes centered around ill-fated boats and planes. The most pertinent of these is Season 2, Episode 3- The Arrival. The above image is a still from 5 minutes and 23 seconds into the show, with a prominent “23” in the background. (This is Hangars 2 and 3, much like the season and episode number.) The story is about a plane that lands in an airport without a crew or any passengers onboard- and the hard-nosed investigator who has never failed to solve a case is determined to figure out how, and why. (Here the author implores you to find and watch this episode, if you’re not familiar with it. It’s just great and it’s about to be spoiled.) In the process of investigating with staff members at the airport, he realizes that one of them reported the plane had blue seats for passengers, while another saw them as red. The case is thus solved: the DC-3 airliner before them doesn’t exist at all. It is merely an illusion that only exists because they all agree that it does, but focusing on any details in particular reveals its illusory nature.
Researcher and writer of Weird Stuff, Discordian Flying Saucer Enthusiast, and Certified Kook.